The Camp Snap CS-8 doesn’t care about body charges, bit charges, or whether or not your footage is stabilized to unerring ranges of steadiness. It doesn’t need to exchange your iPhone or compete together with your mirrorless digicam setup. What it affords as a substitute is one thing far less complicated and extra deliberate: the sensation of taking pictures video for the sake of it.
Very similar to Camp Snap’s point-and-shoot nonetheless digicam from 2023 (the corporate’s solely different main product), it’s a throwback to when cameras didn’t suppose for you and once you didn’t count on to evaluate the pictures you simply captured till later—typically a lot later.
Impressed by the Tremendous 8 camcorders launched within the Sixties, the CS-8 is unapologetically retro in each look and performance. The physique is usually plastic, with faux-metal detailing and leatherette texture meant to evoke the mechanical period slightly than mimic it convincingly. It’s chunky and strong within the hand, albeit in a distinctly toylike approach. When you’re in search of authenticity, you’re not going to search out it right here: There’s a faux chilly shoe up high and imitation screws on the base of the pistol grip. However that’s not the purpose—this isn’t Kodak’s $5,000 Tremendous 8 revival however slightly a $199 digicam meant to reside in the true world and get handed round at events, slung into backpacks for day journeys, and used with out a second thought.
Lights, Digicam, Motion
{Photograph}: Sam Kieldsen
There’s no display, no playback, and no Delete button. Right here, what you shoot is what you get. The settings and choices are stripped again, with one dial for choosing facet ratio (4:3, 16:9, 1:1, or 9:16) and one other for the video impact. These embrace commonplace coloration, monochrome, and three lo-fi filters, together with one which simulates the grainy, jerky look of 8-mm movie.
I discovered that final one, labeled Analogue, was the star of the present. It drops the body fee to twenty fps (it’s 30 fps with the opposite modes) and sprinkles in digital scratches, leading to footage that’s imperfect in probably the most deliberate approach. The remainder of the filters really feel just a little flat by comparability, although the monochrome setting can conjure up its personal punchy allure in the correct lighting.
Utilizing the CS-8 is refreshingly bodily: Energy it on by flicking a dial, press your eye to the rubber-cupped viewfinder, and squeeze down the set off to file. There’s no focusing to fret about right here. The 8X zoom is dealt with with buttons labelled “W” and “T” for broad and telephoto, although it’s digital-only, and determination drops off rapidly once you push in too far.
